Doblio Wind
The wind is a translator of dreams, light and cold,
transforming wishes into syllables to forget,
delivering them to a breath that cannot be held,
and arranging them on a page without name.
Each dream becomes an instruction for oblivion,
a guide of omissions breathed by the slow air,
rules of silence learned with every passing sigh,
words that erase memory like falling snow.
If the wind commands, there is nothing left but to close the door,
and open to a night that asks no explanation,
the words dissolve into fog that nobody gathers,
dawn remains neutral, among the lines of oblivion.
Explanation
The piece is configured as a lyrical meditation on the ephemeral nature of memory and the active, almost predatory role of language in the process of oblivion. The text does not simply describe loss, but analyzes its mechanical architecture, personifying the wind—the wind itself—as a mythical agent capable of transmuting dreamy desires into mere linguistic residues destined for annulment.
The poet immediately establishes a synesthetic relationship between emotion and natural element: the wind is not just air, but a “translator,” a function that implies both mediation and distortion. Dreams here are raw material, desires charged with emotional vitality, but this energy is immediately subjected to a process of narrative filtering. The syllables do not preserve the inner meaning of the dream; on the contrary, they are “to forget,” suggesting that the act of verbalization is already a form of semantic erosion.
The thematic core develops around the idea that memory is a fragile construct, governed by external and invisible rules. Oblivion here is not a passive event; it is structured as a “guide of omissions,” dictated by the slow air—an almost bureaucratic rhythm that imposes silence. This *rule of silence